Showing posts with label The Real Columbia Diggins. Show all posts
Showing posts with label The Real Columbia Diggins. Show all posts

Tuesday, June 25, 2013

Revisiting the 19th century

The new vest all draped, pinned, and ready for stitching
I seriously cannot stand the thought of wearing the moo-moo anymore to work.  I tried the whole, not caring about the fact that the state park system is essentially lying to the public by incorrectly portraying what clothing looked like.  I have given in again and will be making something pretty that fits...with lots of lace and ruffles and pretty details.

Some of my inspirations are below.  I know for sure that on the skirt I will be attaching lace to the skirt ruffles like the two fashion plates partially for the prettiness, but mostly to cover stains from wearing the dress for a year and a half everyday and working in it.  I love the idea of a vest with the skirt and a blouse.  It's slightly militaristic, slightly masculine, and very functional.



Portrait of Katarzyna Potocka c.1854 from Wikipedia

Fashion plate from Graham's 1851 from this site

Antique Steel Engraving published 1824-51, London for "The World of fashion and Continental Feuilletons" from this site

Fashions for September 1851 From Harper's magazine. located at this site

It's actually a green broadcloth lined in blue floral cotton, but the lighting doesn't show that too well (my eye is really bothering me today and I haven't slept since about midnight last night).

Monday, February 11, 2013

Isn't this a Mennonite colony?

I haven't had one of these rants in a while, but I figured it was finally worth it to speak out again.  I'm not sure if it's just an honest mistake or sheer ignorance, but it's disturbing either way.

I work in Columbia State Historic Park in California.  Generally I wear a collarless button-up shirt, skirt, and about two or three petticoats when I go to work (I'm not claiming by any stretch of the imagination that I have been dressing historically accurate).  I keep my hair pulled back so it's out of the way.  On any given day I deal with at least a handful of really off the wall history questions.

Yesterday, a woman came into the store I work in with a couple of school age children that had probably been on the "Gold Rush field trip" either last year or were going to be this year.  She asked me what it's like being a Mennonite.  I stood there in complete shock holding a coffee cup in my hand.  I told her I was not a Mennonite by any stretch of the imagination.  She the proceeded to say as she walked out the door with her family "oh I thought this town was a Mennonite colony."

WTF??? LOL

I can see where she might have come up with this conclusion, but it's still rather shocking.  I've maintained for a long time now that the CA park system have created a fantasy world rooted pretty heavily in the TV series Little House on the Prairie; they have cleaned up history to make it politically correct and wholesome for the family.  They have censored the truth about the kinds of people and shops that existed.  However, one of the worst injustices that's been committed is against the clothing.  Below, I have posted several different slants on what the women who work in CSHP are forced to wear each day.  I do not see how the following images accurately portray what Columbia, CA looked like between 1850-1870.
Mennonite girls.  Photo from this site
Little House on the Prairie cast photo, from here
Prairie dresses from commercial pattern, found here
Funny thing is, even if you do a simple google image search or wikipedia search for 1850s women's fashions, the results are staggering and completely different from the above images.  For example:
image from here

image source

image source
All very different styles; all very different from the first set of images; all randomly selected; and ALL representing different social classes of women.

So the long and short of it is this:
Dear California State Park System, 
You fail epically at your mission statement of recreating a "Gold Rush era" town c.1850-1870.  When people that come to visit start asking employees of the stores if they are Mennonites or Amish or Quakers when they are supposed to be representing a time frame of around 1850, there is something severely wrong.  Perhaps it would be advisable to consult someone with a history degree and an interest in clothing to correct some of these problems.

Sincerely,
Someone who believes we can do much better
Oh and all this also means that as soon as I get my house back in order from the new flooring, there will be a new, corrected outfit made.

Edit: 6/1/2013
Until I find motivation to sew a new work outfit, allow me to share my mockery with you all on here:
Oh so attractive...I'm standing over the heater vent to make the mumu poof out

Sunday, October 7, 2012

Pinterest finds that make me happy

I have found some items that I think can revolutionize my clothes for work:

c.1858 crinoline from The Met

Pretty stays c. 1850 from The Met

working class stays c.1850-70 from Corsets and Crinolines

Thursday, September 13, 2012

Almost time for 1861

A side view with no boning in place

The front, still no boning
I've been working on this for a while.  In honor of the Columbia SHP back to school event, I'm doing an 1861 inspired outfit for Saturday (and probably tomorrow also).  I haven't taken any photos lately, but all that's missing right now are the lacing holes up the front.  I'm so excited.

Saturday, August 25, 2012

Thoughts on the subject of "costuming"

I found an interesting piece at work today while I was cleaning up, so I photocopied it.  Below is a transcription of it, I don't know the date it was written or who wrote it.

The interpretive time period for Columbia is 1850-1870.  Some of the businesses may reflect a shorter time period.  Your clothing should reflect that time.  The following is general information, for more specific details you can get the Columbia Costuming Manual at the District Office.

Women:
Women should wear either a skirt and blouse or dress.  The blouse or dress top should have loose, long sleeves which may be rolled up, the bodice should reach to the neckline, no scoop necks.  The skirt should be full, it does not have to drag on the floor but can reach the ankles.  Gunny Sax dresses are not appropriate.  A bib apron may be worn.  Shoes should be dark and comfortable, no exercise shoes.
So according to this general outline I can wear a bustle dress.  The shop I work in was still in operation as a general store during the 1870s (in fact it has been ever since with the exception of a few years when it was home to a candy store).  Guess I can also wear the skirt/blouse combo too.  Good to know considering my new project.
Lovely plaid skirt, blouse, from The Barrington House

photo by Lady Clementina Hawarden from The V&A

photo by Lady Clementina Hawarden from The V&A
In honor of Friends of Columbia State Historic Park's 1861 Back to School night on 15 September, I'm declaring September Swiss Waist month in Columbia, CA (and the surrounding areas if you like).

I've already started mine.  It's a nice chocolate brown jacquard that I'll be wearing with the skirt from my 1850s fan front dress and a variety of shirts.

Wednesday, August 22, 2012

1840s green fan front dress (construction details)

I went ahead and did it.  I made a short(er) sleeved dress for work.  After going home one day with heat exhaustion due to EXTREME weather conditions and very non-summery clothing, I said enough was enough.  I still maintain, despite a lack of concrete evidence at the moment, that women in Columbia did not necessarily adhere to the standards of European society  or the upper class women of the East Coast.

So I got to thinking, what can I make this outfit out of?  I went to JoAnn's and found a very nice green plaid homespun.  It wasn't what I went in for, but it worked well enough.  I wanted a semi-sheer print, but I guess that will have to wait.  Upon getting home, I went to work on it.

This first dress was probably the primary inspiration for my new dress:

Woman’s dress made in America between 1840-45.  Constructed in cotton.  Gift of The New York Historical Society, 1979, Accession Number: 1979.346.35.  From the Metropolitan Museum of Art, http://www.metmuseum.org.

Woman's Dress made in the United States c.1840, attributed to an American maker.  Constructed in Gold China silk crepe with silk embroidery in satin stitch.  Gift of Howard H. Lewis, John F. Lewis III, and Mrs. Anne L. Stoudt, 1979.  From the Philadelphia Museum of Art, http://www.philamuseum.org.

Dress showing the lining and center front closures.  Uploaded by Anette Bethke, http://pinterest.com/netnet81/.

D01-87.    AWESOME EYES!”  c.1851, American (possibly Ohio).  From Dennis A. Waters Fine Daguereotypes, http://finedags.com. 
Afternoon dress.  Constructed in cotton c.1843 in America.  Purchased from The German Fur Federation Gift, 1981.  Accession number 1981.14.5.  From the Metropolitan Museum of Art, http://www.metmuseum.org.
Armed with these images, I set to work on drafting up some patterns from Patterns of Fashion for the 1852 day dress (again).  I altered the actual bodice a bit in the neckline and the sleeves on mine are much more practical for what I believe a working woman could have worn.

The lining and a trial version of the skirt

back view of the lining

I love how scooped the lining is

Trial of the pleats

Here's what we're aiming for, more or less

Close up and flashed

I raised the hemline of the corded petticoat I made last year after reading an article on skirt supports at historicalsewing.com.  It works WONDERFULLY now

Just about done, sorry for the blurriness
 
does it make your eyes hurt yet

Major thanks also to Katherine at The Fashionable Past for her article: An Easy, Authentic Eighteenth Century Petticoat that I used for making the skirt.

Since Columbia SHP will be having an 1861 themed back to school night on Sep. 15th, I'm planning a nice little Swiss waist to wear with a cute white shirt I made (also with elbow length sleeves ;) )

Final photos to follow soon...

Tuesday, June 19, 2012

A Tribute to the Pink and Green

I have wanted this dress ever since I first stumbled across the fashion plate on 15 Aug 2011.  I printed it, which is amazing for me to do.  It's just too absolutely fabulously tacky.  I actually like both outfits in the print, but the pink and green one is my favorite.
Fashion plate found at The Costumer's Manifesto
One of the new outfits I'm making will be inspired by this dress.  I do not have the time or patience right now to piece together the squares necessary to make such an extraordinary dress.  I will though.  I just have to clear a path in my mess or a garage to get to the pale green satin I have stashed away and hope there's enough to do what I want.  I'll also need a pretty pale pink too.  Instead, I will be doing something similar.  I will still be making a basque, but of solid pink.  It will go with a green skirt.
Portrait of M. Obleuhova by Vasiliy Pukirev, 1855
 The basque jacket in this portrait will be the inspiration for the pink one I'm making to go with the green skirt.

The second outfit is partially inspired by this painting by Lilly Martin Spencer.
Peeling Onions, ca. 1852. Lilly Martin Spencer.
 I want a dress that feels working class, but is made of pretty fabric.  It will be more of a mid 1840s style as I believe this would have been brought to Columbia as a woman moved across the country.  By 1852, it would be well worn and quite appropriate for a woman to work in.  I'll be basing the dress off of the following;
Afternoon dress ca. 1845 via The Costume Institute of the Metropolitan Museum of Art
Woman's Dress, c. 1840 from the Philadelphia Museum of Art.  Made in the USA

The sleeves of this new dress will be cropped off about where the over-sleeve stops on this one.  I fully believe short sleeves could have been worn, besides there is no point in having a bunch of excess fabric pushed up on my arms since I intend to roll up my sleeves anyway.  I'll be using a rather "loud" paisley print fabric on a white background.  This dress helped in easing my fears about it looking too busy.
Woman’s Two-piece Dress, circa 1855 from the LACMA

More 19th century dress research

I have had several new thoughts regarding my new research projects.  I am by no means an expert on 19th century clothing, I'm learning as I go.  I do, however, feel it is important to share this quote before I start writing again:
The V&A's Victorian dress collection represents the fashions worn by the wealthy in the 19th century, and reflects their lives and aspirations. ...The degree of workmanship involved in making these clothes meant that they were expensive to make -they were high fashion comparable to today's haute couture. ... The middle classes generally would not wear such high value items such as these. However, the style of these clothes would have spread further than the small social group for whom they were made, much the same as adapted catwalk fashions can be found in high street retailers today. The middle classes could afford to have high fashion copied by local dressmakers and tailors, or made their own new clothes. ... The poor would rely on the huge second-hand clothes trade prevalent during the period, spending hours altering old clothes for themselves and their families to make them fit or to make them more fashionable. Clothes could be dyed and the good parts of a garment made into children's clothes or accessories, and areas of wear could be patched. There was even a market for ragged clothes that had been through several owners - these were still worn by the destitute. -- "Victorian dress at the V&A" from The Victoria and Albert Museum
There really was no good place to crop that quote off really since it is so very relevant, so sorry for the length.  While it is in reference to the items in the V&A's collection of 19th century clothing and more specifically to England, the sentiment of the quote is still applicable to the United States and specifically to California.  US fashions were influenced by Europe.  The select few that could afford to have the "haute couture" versions of dresses in fashion plates were few and far between.  Those of a middle class background could and did have similar versions of these dresses made.  Those that were poor were left to inherit the secondhand, slightly out of date fashions.

As women (and men too) moved across the US, further away from centralized institutions that controlled social structure, the rules became more relaxed.  The smaller number of women in California presented them with the opportunity to become financially successful themselves.  Several women were able to make a rather impressive living doing the same things women did everyday across the country.  It is likely that the average working woman's wardrobe did consist of secondhand clothes and out of date fashions, but it is just as likely that the new-found financial success also provided a means to either make or have made clothing that was more in line with the popular East coast versions.
Peeling Onions, ca. 1852. Lilly Martin Spencer.
I think this is perhaps more what should be the common attire in Columbia.  It's an actual working dress, not a prairie dress.  Women didn't wear their best clothes to work in.  Not to mention the fact that the sleeves are either short or pushed up to be short.  Seems infinitely more practical to me.
Image found on Pinterest, credited as from finedags.com
I thought this was super interesting.  I've been told (again no concrete proof on my part) that women did not wear much jewelery if they were unmarried.  This woman is wearing quite a bit, leading me to believe she is married and has a pretty decent financial situation.  I thought it was also interesting that this is a short sleeved, sheer dress not unlike these two below.
from The Met

from The Met
Granted they are from different time periods, the concept is the same.  A summer dress with short sleeves for a WOMAN, not a girl or teenager.

Now apply that quote from the V&A to this situation.  The high class version that mimics the fashion plate could be seen as the period dag of the mid-late 1850s woman with jewelery.  The surviving example available in museums are the two dresses in a late 1840s style.  These dresses probably belonged to women of at least a middle class background.  It still seems probably to me that a dress such as this could have been worn by a working class woman, perhaps not in such fine, easy to soil fabric though.

Friday, June 15, 2012

Research: Short sleeved dresses

Having spent one summer and gearing up for a second working in Columbia in a long sleeved dress, I find it very difficult to believe that women of the 1850s (and the rest of the 19th century) did not have a short sleeved summertime option for dresses.  I know the popular thought around me says that "oh no, they wore sleeves all the time, and bonnets, and doilies on their heads at all times."  I don't believe it, but I digress.

In the interest of saving my dresses from sweat stains (gasp!) and myself from having a heat stroke while I restock wine, beer, and move deliveries around, I have begun a little research project.  I hypothesize that there were short sleeved dresses for women--and not just young ones or ball gowns.  I'm talking about daytime attire.

I have not spent too much time researching (the wedding and life ate up a bunch of my time you know), but I did manage to find a large collection of dresses at the Met that are American made, cotton, from the mid 19th century, not classified as ball gowns, and SHORT SLEEVED.

My criteria to be on this research list:
1. Must be from between 1835-1855.
2. Must not be a dress for evening of dinner or a ball gown
3. Must be for an adult woman
4. Must be American
5. Must be cotton
(note all links to the Met are to the dress's page)
Exhibit 1: Late 1840s Mourning Dress from The Metropolitan Museum of  Art
 This dress, like the others could have had detachable sleeves to make it long sleeved, but they have no survived.  For the sake of argument, I'm going to assume they were not worn with this dress.  The first thing I noticed is that it's a mourning dress, to be worn at a time of great sadness.  If exposing the skin of the arms was not done in polite society, why would it have been done then?  Sure, you wouldn't be out socializing if you're in mourning, but I would assume out of respect you wouldn't have worn clothing that was not generally considered appropriate.  Plus, the neckline is very conservative, there is not much trim on the dress.  It's a simple black and white cotton dress with pleating.

Exhibit 2: c. 1847 Dress from The Metropolitan Museum of Art
 This dress appears to be a day dress to me.  The neckline is not low enough to be an evening or ball gown.  There is no embellishment.  It's a simple cotton dress.  Seems perfectly appropriate to wear in hot weather to me.

Exhibit 3: 1849 Wedding Dress from The Metropolitan Museum of Art
 While this is not a "day dress," but for a fancy occasion, I included it for a reason.  It's simple.  The only fancy decoration is the silk on it.  The dress itself is cotton and modest.  It's got the same almost boat-neck neckline as the other day dresses, the same pleating, and the same short sleeves.  Only difference is the specific event it was made for and the modest silk trim.

Exhibit 4: 1841-1844 Dress from The Metropolitan Museum of Art
This is the perfect example of summer.  It's a simple white cotton dress with short sleeves.  No frills, bells, or whistles.  Its screams day wear to me.

From what I can tell, it appears short sleeves are okay to wear.  Sure it's possible these dresses were worn with detachable sleeves, but it's also entirely possible they were not.  If a woman owned them (or something similar) when they were new and brought them across the country sometime around 1850, they would be "old clothes."  These wouldn't necessarily be the dresses you cherished and wore to fancy events.  These would be what you wore around your home or at work, when you didn't need to worry about damaging them.  They are the 19th century equivalent of those faded, torn, and worn out jeans that you wear on weekends or when you want to be comfortable.  Or that thread bare T-shirt that you wear to clean your house.  You don't wear those to make an impression on people, you wear them because they are comfortable.  I doubt very much that a woman living in Columbia, CA c. 1850 that had to work to support herself or even a family would have thought twice about wearing comfortable old dresses without all the fine accessories they might once have had.

Thursday, June 7, 2012

Thoughts on 19th century things

Now that my wedding dress is done and I'm in the middle of writing thank you notes, cleaning up my house, trying to plan our honeymoon trip, and finishing the painting from before Christmas...I think it's time for some new work clothes.

I've had plenty of time to think about the things I do and do not like or agree with.  While my views on the lack of historically appropriate clothing by and large in Columbia have not changed and I certainly do not mean that everyone associated fits into that category, I have not done my part to help the matter.  I think I tried to do too much at once and in the end discovered a few things to make my agenda more do-able.  Change has to happen slowly; perhaps trying to make clothing appropriate for an "upper middle class" English or French woman was too ambitious and the people around me were not ready.  Perhaps fashions inspired by Empress Sissi were mentioned too soon for the park.  They need to be broken in gradually.

I still maintain that the park does need to make a clear cut time limit and a much more concise mission statement of what they are intending to portray.  I do believe that the portrayal of a Gold Rush era town would imply that clothing should be kept before about 1859.  I also still believe that there should be a wide variety of styles, social classes, and that not all women who worked were dirt poor wearing sack dresses.  Women had quite a lot of power, though they may not have realized it and the modern world has forgotten it.  That's one of the main lessons I took away from my Introduction to Historical Analysis class with Prof. Katz: social and gender rules of the 19th century do not necessarily work in Gold Rush California.

I've decided to strike a compromise with the state of California though.  They seem to imply that women would not have had money for nice dresses or things if they were working or living in the area.  As such, that would mean that for some unknown reason they would have been cut off from any and all literature or examples of popular dress on the Eastern seaboard of the United States and the rest of the world.  This would require women to wear fashions that were "out of date."  As such I will be creating a new dress to adhere with these new guidelines.  I shall limit my fashion interests for work to the period of 1838-1850, leaving at the least a 2 year fashion lag with the date of 1852 that my boss goes with.  I'm not saying that this would be unreasonable or improbable for real women of the Gold Rush, but I do not think it was the only option for clothing.  I will be being more conservative in my fashion choices from now on and striving for the most accurate representation that I can manage despite the fact that I still maintain that it is easier to work in a blouse and a full skirt than a regular dress.

And for now, on to the research...

Saturday, December 31, 2011

2011 Costume Wrap-up

Well the year is done and overall I'd say it was a success.   Here are the majority of things I finished this year, minus the outfits  I made for other people and don't have pictures of yet.





There were also some other projects this year too: a suit of clothes for my boss, a skirt/bodice and petticoat for a coworker, a pair of bloomers and a corset for another coworker, and a variety of skirts for a friend.


For next year I have a few ideas already.
1. Garbaldi blouses in red, white, and black
2. a maroon skirt with blue wool trim
3. a blue wool bodice
4. a black striped bustle dress c. 1869
5. a green skirt with box pleated ruffle
6. the green striped dress with matching Swiss waist
7. redo the pink dress and add trim
8. fix the purple jacket

Happy New Year's!  I'm a little drunky right now on Moet et Chandon so apologies for any spelling errors that might have insued.  Cheers